Monitors

Model Range Type Freq. Response
ATC
SCM 16a Near 2-way Active 60 Hz - 20 kHz
SCM 20ASL Near 2-way Active 60 Hz - 22 kHz
SCM 25A Near-Mid 3-way Active 47 Hz - 22 kHz
SCM 50ASL Near-Mid 3-way Active 38 Hz - 22 kHz
SCM 100ASL Near-Mid 3-way Active 32 Hz - 22 kHz
SCM 110ASL Near-Mid 3-way Active 30 Hz - 22 kHz
SCM 150ASL Near-Mid 3-way Active 25 Hz - 22 kHz
SCM 200ASL Mid-Main 3-way Active 32 Hz - 20 kHz
SCM 300ASL Mid-Main 3-way Active 25 Hz - 20 kHz
SCM 0.1-15 Full Active Subwoofer 30 Hz - 300 Hz
 
Barefoot Sound
MicroMain35 Near-Mid Active 35 Hz - 30 kHz
MicroMain27 Near-Mid-Main Active 30 Hz - 30 kHz
MiniMain12 Near-Mid-Main Active 20 Hz - 40 kHz
MicroSUB - Active Subwoofer 26 Hz - 1.6 kHz
 
Bowers & Wilkins
683 Mid-Main Passive 38 hz - 22 kHz
684 Mid-Main Passive 44 hz - 22 kHz
685 Near Passive 49 hz - 22 kHz
686 Near Passive 55 hz - 22 kHz
CM1 Near Passive 55 hz - 22 kHz
CM5 Near Passive 52 hz - 22 kHz
CM8 Main Passive 69 Hz – 22 kHz
CM9 Main Passive 56 Hz - 22 kHz
PM1 Near-Mid Passive 48 Hz - 22 kHz
800 D Main Passive 32 hz - 28 kHz
801 D Main Passive 29 Hz – 28 kHz
802 D Main Passive 34 Hz – 28 kHz
803 D Main Passive 35hz - 28kHz
804 D Main Passive 38 Hz – 28 kHz
805 D Near Passive 49 hz - 22 kHz
DB1 Main Passive Sub 15 hz - 250 Hz
PV1D Main Passive Sub 7.5 hz - 450 Hz
ASW 10 Main Passive Sub 25 hz - 140 Hz
ASW 608 Main Passive Sub 23 hz - 140 Hz
ASW 610 Main Passive Sub 20 hz - 140 Hz
ASW 610XP Main Passive Sub 18 hz - 140 Hz
 
Dynaudio
BM 5 Near 2-way Passive 50 Hz - 21 kHz
BM 5A Compact Near 2-way Active 55 hz - 21 kHz
BM 5A Near 2-way Active 50 hz - 21 kHz
BM 5A MKII Near Active xx hz - xx kHz
BM 6 Near 2-way Passive 43 Hz - 20 kHz
BM 6A Near 2-way Active 41 hz - 21 kHz
BM 6A MKII Near 2-way Active 40 hz - 21 kHz
BM 12A Near 2-way Active 38 hz - 21 kHz
BM 15 Near 2-way Passive 43 Hz - 20 kHz
BM 15A Near 2-way Active 30 hz - 21 kHz
 
BM 10S Main Active Sub xx hz - xx kHz
BM 12S Main Active Sub xx hz - xx kHz
BM 9S Main Active Sub 29 hz - 250 Hz
BM 14S Main Active Sub 18 hz - 250 Hz
 
Air 6 Near 2-way Active 40 hz - 22 kHz
Air 12 Near 2-way Active 37 hz - 22 kHz
Air 15 Near 2-way Active 32 hz - 22 kHz
Air 20 Near 3-way Active 31 hz - 22 kHz
Air 25 Near-Mid 3-way Active 28 hz - 22 kHz
Air Base 1 Main Active Sub 25 hz - 120 Hz
Air Base 2 Main Active Sub 23 hz - 120 Hz
Air Base 12 Main Active Sub 22 hz - 200 Hz
Air Base 24 Main Active Sub 20 hz - 200 Hz
 
M1 Near 2-way Passive 50 hz - 20 kHz
M1.5 Near-Mid 2-way Passive 34 hz - 20 kHz
M2 Mid-Main 3-way Passive 34 hz - 20 kHz
M3P Main 3-way Passive 30 hz - 20 kHz
M3A Main 3-way Active 30 hz - 20 kHz
M4S Main Passive xx hz - xx kHz
M4U Main Passive xx hz - xx kHz
M4+ Main Passive xx hz - xx kHz
C4 Mastering Monitors Mid-Far Passive 20 hz - 48 kHz
 
Focal
CMS 40 Near 2-way Active 60 Hz - 28 kHz
CMS 50 Near 2-way Active 55 Hz - 28 kHz
CMS 65 Near 2-way Active 45 Hz - 28 kHz
CMS SUB Main Active Subwoofer 30 Hz - 250 Hz
Solo6 Be Near 2-way Active 40 Hz - 40 kHz
Twin6 Be Near 2-way Active 40 Hz - 40 kHz
Sub6 Main Active Subwoofer 30 Hz - 250 Hz
SM 9 Near Active 30 Hz - 40 kHz
SM 11 side L-R Near 3-way Active 34 Hz - 40 kHz
SM 11 Center Near 3-way Active 34 Hz - 40 kHz
SM 11 S Main Active Subwoofer 20 Hz - 250 Hz
 
Klein & Hummel
KH 120 A Near 2-way Active 52 Hz - 21 kHz
KH 310 A Near 3-way Active 34 Hz - 21 kHz
O 300 Near 3-way Active 35 Hz - 24 kHz
O 300 D Near 3-way Active 35 Hz - 24 kHz
O 410 Midfield 3-way Active 30 Hz - 24 kHz
O 800 Main Active Subwoofer 27 Hz - 100 Hz
O 810 Main Active Subwoofer 18 hz - 300 Hz
O 870 Main Active Subwoofer 18 hz - 300 Hz
O 900 Main Passive Sub 15 Hz - 220 Hz
KH 810 Main Active Subwoofer 18 hz - 300 Hz
KH 870 Main Active Subwoofer 18 hz - 300 Hz
 
Klinger Favre >>
UT Ultra Tweeter Near-Mid-Main Passive 20kHz - 100kHz
D26 Near Passive 30 Hz - 22 kHz
D36 Near Passive 25 Hz - 24 kHz
D46 Near Passive 25 Hz - 28 kHz
D56 Near Passive 20 Hz - 28 kHz
D66 Near Passive 20 Hz - 100 kHz
Plaque UT1 Full Passive Floating Board 20kHz - 100kHz
Studio 15 Near-Mid Passive 18 Hz - 36 kHz
Studio 17 Near-Mid-Main Passive 15 Hz - 38 kHz
Studio 17UT Near-Mid-Main Passive 15 Hz - 100 kHz
Studio 20 Near-Mid-Main Passive 12 Hz - 42 kHz
Studio 30 Near-Mid-Main Passive 8 Hz - 48 kHz
Precision Series Main Speaker Amp Double Mono 5 hz - 72 kHz
Amplificateur Studio Main Speaker Amp Double Mono 5 Hz - 50 kHz
 
Lipinski Sound
L-70 Near Active 38 hz - 40 kHz
L-505 Near Passive 46 hz - 40 kHz
L-505A Near Passive 46 hz - 40 kHz
L-707 Near Passive 31 hz - 40 kHz
L-707A Near Passive 28 hz - 40 kHz
L-707A Grand Main Passive 24 hz - 40 kHz
L-707A Signature Main Passive 20 hz - 40 kHz
L-150 Main Passive Sub 10 hz - 300 Hz
L-300 Main Subwoofer Amp - Dual Mono 1 hz - 150 Hz
L-301 Main Speaker Amp - Dual Mono 1 hz - 50 kHz
L-302 Main Speaker Amp - Stereo 1 hz - 50 kHz
L-400 Main Subwoofer Amp - Dual Mono 1 hz - 150 Hz
L-401 Main Speaker Amp - Dual Mono 1 hz - 50 kHz
L-402 Main Speaker Amp - Stereo 1 hz - 50 kHz
 
PMC
DB1S+ Near 2-way Passive 50Hz-25kHz
TB2S+ Near 2-way Passive 40Hz-25kHz
IB1S Near-Mid 3-way Passive 25Hz-25kHz
IB2S Near-Mid 3-way Passive 25Hz-25kHz
MB2S Near-Mid 3-way Passive 20Hz-25kHz
MB2 XBD Near-Mid 3-way Passive 20Hz-25kHz
BB5 Mid-Main 3-way Passive 17Hz-25kHz
DB1S-AII Near 2-way Active 50Hz-25kHz
TB2S-AII Near 2-way Active 40Hz-25kHz
AML2 Near 2-way Active 33Hz-25kHz
IB1S-A Near-Mid 3-way Active 25Hz-25kHz
IB2S-A Near-Mid 3-way Active 20Hz-25kHz
IB2 XBDS-A Near-Mid 3-way Active 20Hz-25kHz
MB2S-A Mid-Main 3-way Active 20Hz-25kHz
MB2S XBD-A Mid-Main 3-way Active 20Hz-25kHz
BB5-A Main 3-way Active 17Hz-25kHz
BB5 XBD-A Main 3-way Active 17Hz-25kHz
TLE1 Main Active Sub 22Hz-200Hz
TLE1S Main Active Sub 22Hz-200Hz
SB100 Main Passive Sub 25Hz-200Hz
XB2 Main Passive Sub 17Hz-200Hz
XB3 Main Passive Sub 17Hz-200Hz
 
Pelonis Sound
MODEL 42 Near Active 56 hz - 22 kHz
4288 Near Active 44 hz - 23 kHz
A 21-M Near Active 38 hz - 23 kHz
A 25-M Near-Mid-Main Active 32 hz - 23 kHz
A 214-M Near-Mid Active 53 hz - 23 kHz
A 215-M Near-Mid Active 36 hz - 23 kHz
A 225-M Main Active Subwoofer 24 hz - 120 Hz
 
PSI Audio
A 14-M Near Active 56 hz - 22 kHz
A 17-M Near Active 44 hz - 23 kHz
A 21-M Near Active 38 hz - 23 kHz
A 25-M Near-Mid-Main Active 32 hz - 23 kHz
A 214-M Near-Mid Active 53 hz - 23 kHz
A 215-M Near-Mid Active 36 hz - 23 kHz
A 225-M Main Active Subwoofer 24 hz - 120 Hz
 
SLS
CT8R Near Passive xx hz - xx kHz
S8R Near Passive xx hz - xx kHz
PS8R Near Passive xx hz - xx kHz
S1065 Near Passive xx hz - xx kHz
S1266 Near Passive xx hz - xx kHz
T28 Near Passive xx hz - xx kHz
 
Westlake Audio (en inventaire)
  Near Passive xx hz - xx kHz
  Near Passive xx hz - xx kHz
  Near Passive xx hz - xx kHz
  Near-Mid Passive xx hz - xx kHz
  Near-Mid-Main Passive xx hz - xx kHz
  Near-Mid-Main Passive xx hz - xx kHz
 
Yamaha
NS-10M Near Passive xx hz - xx kHz
 

Deal of the Times :

The DAV Electronics BG3 MKV is a high-quality 4-band stereo mastering EQ with +/-2.5dB of gain, fixed 60Hz high-pass filter and clicked detented controls.

 

Designed by Mick Hinton and is based on the EQ he originally built for the legendary Decca Studio. It boasts two bell mid-band as well as Low and High shelves with boost and cut of 2.5dB in 0.5dB steps.

 

Extremely gentle and musical, this 2U mastering EQ offers low noise and low distortion performance and has balanced inputs and outputs.

 

The design has been improved over the years and this is now the Decca Heritage Mk V version. Hand Made in U.K.

 

 

DAV Electronics BG3 Mastering EQ Main Features:

 

- All controls are high quality Grayhill rotary switches

- Electronically balanced inputs and outputs

- Low noise/distortion

- 0.5dB cut/boost per step

- 60Hz High Pass Filter with 18dB / Octave Slope

 

 

SPECIFICATIONS :

Clipping Level: +29dBu

 

Gain Range: -5 to +6dB in 1dB steps

 

Low Frequency Step: 12.5Hz, 25Hz, 50Hz, 100Hz, 200Hz, and 400Hz [Switched] +/-7.5dB [In 1.5dB steps]

 

High Frequency Step: 2KHz, 4KHz, 8KHz, 12KHz, 16KHz and 32KHz [Switched] +/-7.5dB [In 1.5dB steps].

 

Low Frequency Resonant: @ 30Hz, 60Hz, 120Hz, 240Hz, 500Hz and 1000Hz [Switched] +/-7.5dB [In 1.5dB steps]

 

High Frequency Resonant: @ 3KHz, 4KHz, 5KHz, 6KHz, 8KHz and 10KHz [Switched] +/-7.5dB [In 1.5dB steps]

 

High Pass Filter: -3db @ 28Hz. Slope; 18dB / Octave

 

 

Even Brexit can't keep you away from this gem... surely ?